How brands grow with Billionclips Enterprise.
Operated by TAS Inc., one of Japan's largest inbound travel companies, "Our Japan Moments TAS" is an Instagram account that delivers Japanese tourism content to travelers worldwide. By adopting Billionclips Enterprise, the company combined transparent reporting, Grid Simulator-based feed design, and streamlined asset sourcing — significantly raising the quality of its social media operations.
TAS Inc. is one of Japan's leading inbound travel companies. It provides travel arrangements and tourism promotion services for international visitors, with years of experience supporting multilingual and multinational audiences.
"Our Japan Moments TAS" is the company's Instagram account dedicated to sharing Japanese tourism information. It features Japan's landscapes, culture, and cuisine through vertical videos and photo content, promoting an inviting Japan to inbound travelers worldwide. The account also runs targeted ad campaigns for individual country markets.
As an inbound travel professional, TAS wanted to share the appeal of Japan with the world but faced several structural challenges in social media operations.
Other ad and SNS agencies sometimes wouldn't show CPF details or kept those metrics hidden. Having ad performance tested per country and reported transparently was incredibly helpful — it made budgeting for the future so much easier.
— Mr. Higashi, Manager, TAS Inc.
Billionclips Enterprise, by Tokyo AIC, bundles vertical video assets, production tools, and operational support. Three of those capabilities directly addressed TAS's challenges.
A tool that simulates the entire Instagram or TikTok feed so you can review and design the post-publish grid in advance. Guided by the principle that "too clean isn't good — managing the grid as a whole matters," Our Japan Moments TAS overhauled its visual design across the whole account. The newfound consistency of the feed led to a measurable rise in inquiries.
An extensive library of commercially-licensed vertical video and photo assets, paired with Billionclips Studio — a browser-based video editor. Combined with their own footage, TAS now covers six months of content operations from a single shoot. The "prepare all assets yourself" burden imposed by other vendors was eliminated, and content production became sustainable.
Per-country CPF and ad performance are tested in detail and reported in full — with no hidden metrics. While many vendors withhold these numbers, this transparency makes evidence-based budgeting possible. Combined with Tokyo AIC's Instagram operations service, TAS gets Billionclips assets, tools, and ad operations in a single integrated workflow.
By combining Billionclips Enterprise with Tokyo AIC's social media operations service, TAS achieved a unified production-operations-analytics setup.
An account that was stalled at 500 followers despite daily self-managed posting broke through 10,000 in a short time.
Per-country CPF and ad performance are fully disclosed, enabling evidence-based budget planning.
Combined with Billionclips assets, even occasional shoots sustain ongoing publishing.
After redesigning the feed with Grid Simulator, account-driven inquiries started coming in.
TAS plans to use Billionclips' Grid Simulator and Billionclips Studio at full capacity within the Enterprise model going forward, scaling its outreach to inbound travelers continuously.
"When we were running the account ourselves, we posted a lot every day but only reached 500 followers. We're grateful that you grew the account past 10,000 followers in a short time. Crossing 10,000 followers also strengthened the trust of our partners and clients. Having you understand our brand image and strengths and bring out what we wanted to express on Instagram has been just as valuable to us as the follower growth itself."
"On the content direction side, you advised us that being too polished isn't ideal — it's about managing the design of the whole grid. Following that approach, we ended up with the Instagram we'd always wanted to create, and we started seeing inquiries come in. That's where we really felt the impact."
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